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This is the poem I ransacked gleefully when writing when our falsehoods are divided. AUDEN. TEMPEST. YES.
Preface
(The Stage Manager to the Critics)
The aged catch their breath,
For the nonchalant couple go
Waltzing across the tightrope
As if there were no death
Or hope of falling down;
The wounded cry as the clown
Doubles his meaning; and O
How the dear little children laugh
When the drums roll and the lovely
Lady is sawn in half.
O what authority gives
Existence its surprise?
Science is happy to answer
That the ghosts who haunt our lives
Are handy with mirrors and wire,
That song and sugar and fire,
Courage and come-hither eyes
Have a genius for taking pains.
But how does one think up a habit?
Our wonder, our terror remains.
Art opens the fishiest eye
To the Flesh and the Devil who heat
The Chamber of Temptation
Where heroes roar and die.
We are wet with sympathy now;
Thanks for the evening; but how
Shall we satisfy when we meet,
Between Shall-I and I-Will,
The lion's mouth whose hunger
No metaphors can fill?
Well, who in his own backyard
Has not opened his heart to the smiling
Secret he cannot quote?
Which goes to show that the Bard
Was sober when he wrote
That this world of fact we love
Is insubstantial stuff:
All the rest is silence
On the other side of the wall;
And the silence ripeness,
And the ripeness all.
- from 'The Sea and the Mirror' by W.H. Auden
Preface
(The Stage Manager to the Critics)
The aged catch their breath,
For the nonchalant couple go
Waltzing across the tightrope
As if there were no death
Or hope of falling down;
The wounded cry as the clown
Doubles his meaning; and O
How the dear little children laugh
When the drums roll and the lovely
Lady is sawn in half.
O what authority gives
Existence its surprise?
Science is happy to answer
That the ghosts who haunt our lives
Are handy with mirrors and wire,
That song and sugar and fire,
Courage and come-hither eyes
Have a genius for taking pains.
But how does one think up a habit?
Our wonder, our terror remains.
Art opens the fishiest eye
To the Flesh and the Devil who heat
The Chamber of Temptation
Where heroes roar and die.
We are wet with sympathy now;
Thanks for the evening; but how
Shall we satisfy when we meet,
Between Shall-I and I-Will,
The lion's mouth whose hunger
No metaphors can fill?
Well, who in his own backyard
Has not opened his heart to the smiling
Secret he cannot quote?
Which goes to show that the Bard
Was sober when he wrote
That this world of fact we love
Is insubstantial stuff:
All the rest is silence
On the other side of the wall;
And the silence ripeness,
And the ripeness all.
- from 'The Sea and the Mirror' by W.H. Auden
no subject
& one teeny nitpick, only because it's such a shame for perfect things to be spoilt by typos—i think you mean "nonchalant" in the second line?
i approve so hard of this poetry-posting kick you're on!
no subject
The poetry-posting kick is a pact. Or a competition. So far we are tied, but I feel I am losing in spirit because I don't know enough poets who write in non-English languages.
no subject
And the ripeness all.
... yum.