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(no subject)
This is Pen's fault.
I can't believe I disturbed the hell out of myself by writing this instead of making dinner.
The very first thing is the way her hand can't quite fit all the way around a glass of Tyrol's booze.
The second is the way Kara is laughing, her face buried in Apollo's shoulder.
~
He wishes she wouldn't talk so frakking much.
~
Her hair is the colour of cold foul coffee and not quite curled, and it slides through his hand like the stream of air just after he misses a fast catch in a pyramid game. Same silken rush. Same fleeting punchgut sense of loss.
Her eyes are dark and huge and soft and her body is slim and her skin is nothing like his.
He explores the differences with his hands, clings desperately to the new curves and even harder to the spaces, the hollows. Skimming fingers and the taste of bile and cheap alcohol flooding the back of his throat.
~
In the morning his head throbs with parched tight pain and there's a rhythm to it: dah-dah. Dah-dah.
Never.
Again.
Grey stains on his grey sheets.
~
So what was the Pegasus CAP doing while –
Nice job ripping a track in the deck with that –
Think you're riding a bit heavy on the –
Lords of frakking Kobol, if he has to listen to another word from the lips of another frakking pilot, he just might scream.
Blasphemy is easier and easier.
~
The third thing is that it's the end of the world.
~
There's something like freedom in the way her mouth never touches his face; in the way he comes, hard and shaking and not really enjoying himself and gritting his teeth to hold everything in.
Other people's names are sketched into the story they are writing. Tattooed onto their lips. Somehow, blatantly audible in the silences – oh, they have the normal gasps, the normal moans, each one delivered like a dutifully memorised line. Like a fee. But other than that: no sound escapes either of them. They have to hear
leekara
the things they aren't crying out.
But they're the same, they're the same, so who gives a frak anyway.
~
Once is a twice is a three times is –
but he is a sportsman and he knows better than to let three come into it again.
~
Her palms are pale.
Everywhere else, on every other goosebumped inch of her, he knows that it is impossible to see the veins.
It's apt because he meets her eyes across a mug of cold coffee and knows that they are like this; like that; like they are running on nothing but their own savage burnt-out misery; like they are bloodless and bone dry.
I can't believe I disturbed the hell out of myself by writing this instead of making dinner.
The very first thing is the way her hand can't quite fit all the way around a glass of Tyrol's booze.
The second is the way Kara is laughing, her face buried in Apollo's shoulder.
~
He wishes she wouldn't talk so frakking much.
~
Her hair is the colour of cold foul coffee and not quite curled, and it slides through his hand like the stream of air just after he misses a fast catch in a pyramid game. Same silken rush. Same fleeting punchgut sense of loss.
Her eyes are dark and huge and soft and her body is slim and her skin is nothing like his.
He explores the differences with his hands, clings desperately to the new curves and even harder to the spaces, the hollows. Skimming fingers and the taste of bile and cheap alcohol flooding the back of his throat.
~
In the morning his head throbs with parched tight pain and there's a rhythm to it: dah-dah. Dah-dah.
Never.
Again.
Grey stains on his grey sheets.
~
So what was the Pegasus CAP doing while –
Nice job ripping a track in the deck with that –
Think you're riding a bit heavy on the –
Lords of frakking Kobol, if he has to listen to another word from the lips of another frakking pilot, he just might scream.
Blasphemy is easier and easier.
~
The third thing is that it's the end of the world.
~
There's something like freedom in the way her mouth never touches his face; in the way he comes, hard and shaking and not really enjoying himself and gritting his teeth to hold everything in.
Other people's names are sketched into the story they are writing. Tattooed onto their lips. Somehow, blatantly audible in the silences – oh, they have the normal gasps, the normal moans, each one delivered like a dutifully memorised line. Like a fee. But other than that: no sound escapes either of them. They have to hear
leekara
the things they aren't crying out.
But they're the same, they're the same, so who gives a frak anyway.
~
Once is a twice is a three times is –
but he is a sportsman and he knows better than to let three come into it again.
~
Her palms are pale.
Everywhere else, on every other goosebumped inch of her, he knows that it is impossible to see the veins.
It's apt because he meets her eyes across a mug of cold coffee and knows that they are like this; like that; like they are running on nothing but their own savage burnt-out misery; like they are bloodless and bone dry.

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WONDERFUL THOUGH.
IN A DISTURBING WAY.
IF, STILL SHRIEKING, I CRASH THE CAR IN ABOUT HALF AN HOUR AND THERE ARE CASUALTIES, I BLAME YOU.
(it really is very good)
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I think I need to write something pink and sparkly.
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*turns off Avenue Q and hunts up some more disturbing music*
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I watched your vid! it was amazing! did you know that for four years I've thought it was "troth," not "truth"? I feel disillusioned. Admittedly, "truth" makes more sense.
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YOU KNOW WHAT THIS MAKES ME, DON'T YOU. IT MAKES ME A REEDIE. I.E. SOMEONE WHO ABANDONS MUSIC THEY LIKED WHEN THE BAND STOPS LIVING ON TRASH CAN RAMEN. HOWEVER, IN MY DEFENSE, I HAVE NOT ABANDONED SOCO, AND THAT IS A SIMILARLY BLACKLISTED GROUP.
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There are certain bands which become Important to me. For whatever reason. Someday I will make a list.
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Obviously I thought of you. You know some of what I have.
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Coil's "How to Destroy Angels" comes to mind.
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I mean, hello.
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*eyes bunny morbidly*
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Awesome.
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Only less with the 'delicious' and more with the 'scary'. I should write something called Infidelirium, in which everyone is cheating on everyone else.
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